A creepy doll and a creepy house are the main ingredients of “The Boy,” a small-cast horror movie that spends a lot of time building itself into a psychological thriller, only to veer in a more literal direction at the end. It still has enough scary
The basic premise behind the horror film The Boy is that children and dolls are inherently terrifying. This point was confirmed last week when I interviewed the movie's lead—Lauren Cohan (Maggie from The Walking Dead)—over Skype and noticed, in the
A creepy doll and a creepy house are the main ingredients of “The Boy,” a small-cast horror movie that spends a lot of time building itself into a psychological thriller, only to veer in a more literal direction at the end. It still has enough scary
While it's arguable that their performances are not quite Oscar-caliber, the lead players in “The Boy” nonetheless merit kudos of some sort simply for maintaining straight faces while muddling through the absurdities of this tepid horror opus. Despite
While it's arguable that their performances are not quite Oscar-caliber, the lead players in “The Boy” nonetheless merit kudos of some sort simply for maintaining straight faces while muddling through the absurdities of this tepid horror opus. Despite