Marco Polo (first season debuts online Friday), the lush drama set in the 13th-century court of Kublai Khan, feels less like precision targeting than a flurry of wildly fired arrows, the scattershot, overstuffed result of a “You Might Like…” algorithm
In the long run, the worst TV is the TV that gets no reaction and inspires no emotion. So I'll say this for "Marco Polo" — it is not the worst show I've ever seen. It is, however, on the way to becoming one of the most disappointing.
Marco Polo, the massive (a reported $90-million budget), 10-part series from Netflix that attempts to tell the tale of the young traveler from Venice who makes it all the way to China with years of merchant stories and glory to
Watching “Marco Polo,” Netflix's extravagant but stultifying period drama about the legendary 13th-century traveler, is about as exciting as discovering a new Pier 1 Imports in the strip mall. (That might be more exciting, actually.) Bearing the
In the first episode of Netflix's new original series “Marco Polo,” we see the titular character traded to Mongolian emperor Kublai Khan by his own father. It's a pivotal moment in the pilot, that sets the tone for the dramatic new series. Power plays